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2025 Emerging Writers’ Courses
Emerging Prose facilitated by Joshua Whitehead
Emerging Poetry facilitated by Neil Aitken
Location: Online via Zoom
Dates: June 30 – July 9, 2025
Application Deadline: April 22, 2025
The Emerging Writers’ Course has been divided into two groups of writers to provide a smaller learning context:
- Emerging Writers’ Prose Course
facilitated by Joshua Whitehead - Emerging Writers’ Poetry Course
facilitated by Neil Aitken
These online courses are designed for writers in any genre who need a nudge or to take the leap that will lift their manuscript to new levels. Part workshop, part discussion group, and part assignment writing, participants will learn the tools and techniques for mastering the mechanics of rewriting, rethinking, and revising. A practical, hands-on course for those who want to develop better writing, editing and self-editing skills. This course is meant to enhance your work and strengthen your writing towards a publishable state.
Please click on the headings below to reveal more information.
Application
Applicants will need to provide:
- Applicant contact information
- Emergency contact information
- $30 Application Fee (payable by e-Transfer, Visa / MasterCard, or cheque)
- Optional: A letter of application towards a bursary or scholarship
- A one-page letter including:
- Statement of interest
- Current writing projects
- Goals for the workshop
- Any other information that you consider pertinent to your application
- Five-page sample of your writing. Note: You do not need to be published in order to apply for the Emerging Writers’ Workshop.
Note:
- Writing samples up to the page requirement will be reviewed by the jury. Pages in excess will not be reviewed.
- Please combine all documents into one file to upload with the online application form.
- PDF and Microsoft Word documents are accepted.
- If you have trouble when attaching your application materials to the online form, please contact us.
Adjudication process:
All applications go through a competitive, independent peer jury process to maintain a high level of artistic merit in programs. Jury members weigh applications against a rubric of set criteria to assess the quality of writing and readiness for the experience.
Acceptance is determined by:
- Quality of work submitted
- Project description
- Experience and ability to carry out the proposed project
- Literary CV and publication history
- Which applicants would most benefit from attending Sage Hill at this point in their development
This adjudication process is usually completed about four weeks after the application deadline. You will be contacted with results after the jury has come forward with its decision.
Tuition
Application Fee: $30
Online Program Tuition: $845
What is covered?
- Writing retreat in a small group format, led by an accomplished writer and program facilitator
- 1-on-1 conferences and course time with your instructor
- Critical feedback on your writing
- Group sessions and discussions on the craft of writing
- Access to programmed online readings and other community events
- Invitation to online social activities with other writers
When and how to make a payment:
Please pay your application fee when you submit your application. Instructions will be provided.
After the jury has reviewed applications, you will be notified via email to let you know whether or not you have been accepted. Tuition payment deadlines / payment plan options will be expressed at that time.
Tuition payments can be made by:
- E-transfer to sage.hill@sasktel.net (preferred)
- Cheque mailed to: Sage Hill Writing, 324 – 1831 College Ave., Regina, SK, S4P 4V5
- Visa or Mastercard (no Amex) by calling 306-537-7243. Please note that credit card payments are subject to a 2.4% processing fee.
Cancellation Policy:
- There will be a $100 cancellation fee if you withdraw after accepting a spot in a course.
- If you cancel 14 days or more prior to start date: 50% of tuition is due to Sage Hill. If your tuition has been paid, we will issue a refund of the amount paid less 50% of the total tuition amount.
- If you cancel 7 days prior to retreat start date: 75% of tuition is due to Sage Hill. If your tuition has been paid, we will issue a refund of the amount paid less 75% of the total tuition amount.
- Cancellations within one week of program start dates are non-refundable. However, if it is possible to fill your spot in the program, some refund will be available.
- Please note that credit card processing fees are non-refundable.
Refunds for COVID-related cancellations will be considered on a case-by-case basis.
Sage Hill reserves the right to cancel upcoming or in-process programs due to COVID-related health and safety issues or mandates. If a program must be cancelled, payment will be refunded accordingly.
Online schedule elements
- Classes usually meet for 1 to 2 hours each day, though they may meet every second day depending on the number of one-on-ones offered by the instructor.
- Sessions will likely take place in the late morning / early afternoon, to accommodate the various time zones of the writers taking each course.
- Each writer will have 1-on-1 sessions scheduled with their instructor throughout the program.
- With online retreats, we understand that writers may continue to have responsibilities at home. We’ve found that the more time writers put into the program, including time set aside for personal writing and working with feedback received on their writing, the more they get out of the experience!
Emerging Prose Instructor: Joshua Whitehead

Photo credit: sweetmoon photography, Tenille Campbell
Joshua Whitehead (he/him) is a Two-Spirit, Oji-nêhiyaw member of Peguis First Nation (Treaty 1). He is currently an Assistant Professor at the University of Calgary where he is housed in the departments of English and International Indigenous Studies (Treaty 7).
He is the author of full-metal indigiqueer (Talonbooks 2017) which was shortlisted for the inaugural Indigenous Voices Award and the Stephan G. Stephansson Award for Poetry. He is also the author of Jonny Appleseed (Arsenal Pulp Press 2018) which was long listed for the Giller Prize, shortlisted for the Indigenous Voices Award, the Governor General’s Literary Award, the Amazon Canada First Novel Award, the Carol Shields Winnipeg Book Award, and won the Lambda Literary Award for Gay Fiction, the Georges Bugnet Award for Fiction and Canada Reads 2021.
Whitehead is the editor of Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction, which won the Lambda Award in 2021.
Whitehead’s latest book Making Love with the Land was published in 2022 with Knopf Canada, exploring the intersections of Indigeneity, queerness, and, most prominently, mental health through a nêhiyaw lens. The book was shortlisted for the Hilary Weston Writers’ Trust Award for Nonfiction.
You can also find his work published widely in such venues as Prairie Fire, CV2, EVENT, Arc Poetry Magazine, The Fiddlehead, Grain, CNQ, Write, and Red Rising Magazine.
Emerging Poetry Instructor: Neil Aitken

Neil Aitken is a writer, translator, and librettist of Chinese and Scottish-English ancestry. The founding editor of Boxcar Poetry Review, he is the author of two full-length poetry collections Babbage’s Dream (2017) and The Lost Country of Sight (2008), winner of the Philip Levine Prize, as well as a poetry chapbook, Leviathan (2016), which won the Elgin Prize for Sci Fi Poetry. With fellow poet-translator Ming Di, he co-translated The Book of Cranes: Selected Poems of Zang Di (2015) and has worked on translations of poems from many other contemporary Chinese poets. His first full-length commissioned opera, Star Singer, a collaboration with distinguished composer Juhi Bansal, will debut in NYC’s Prototype Festival in 2027.
Neil has facilitated workshops all over the US and Canada, and previously served as Writer-in-Residence for the Regina Public Library (2021-2022) and Virtual Writer-in-Residence for the Saskatchewan Writers’ Guild (2021). He holds a PhD in Literature & Creative Writing, a multigenre MFA in Creative Writing, and a BS in Computer Science, and is currently completing a Master’s in Library and Information Science at UBC.